Tuesday Afternoon

#8302, #8303 and #8304

#8305

#8283
Getting 8305 close --not quite sure yet. 

Friday

Continued on these 5 paintings.

New Panels

#8302, #8303, and #8304

#8305

#8283
Today about 15 new panels arrived. So I started in on some new ones a set of 3  24" x 24" and a 36" x 40".  The green striped one, 8305 is quite hideous at this point but  I just wanted to get something down to respond to later after this layer dries. The 3 24 x 24s are a bit better, at least from a distance. And then since I had a big pile of paint I made a giant blue square on #8283. I am thinking of small light shapes on this dark background--maybe very very tiny marks on a dark field.

Raining

#8157

Kept going on 8157. Almost everything gets re painted over and then by the time I come around to paint it again it is done in a different way. The ghosting of under painting is very interesting when it is contrasted with a thickly painted shape nearby or on top of it. I tend to work on parts of the painting that are easy to reach--the bottom part takes more effort so I notice I leave it more empty. I need to add more screws in my wall so I can hang the painting higher up. Today I bought 5 months supply of paper towels. These have a new pattern on them that leaves a kind of grid mark when I press it in the paint. Kind of fun.

Saturday Afternoon

#8157

#8283

Today I kept working on #8157  and #8283-both of which have changed into very different paintings than the way they started.

One thing that I find difficult is putting marks on a painting when  I know that they are not right. But the very act of being careful creates a mark that "feels" careful -which is usually boring. When I find myself spending more time looking at what I have done than actually making changes to a picture then I know that I am holding back. Sometimes I have to plod for awhile till something strikes a chord and then I re remember. I am trying to be thoughtfully out of control. Carefully careless.

Falling Backwards

#8157

#8165

Heard the poet Billy Collins last night. Wonderful...he left me with the feeling that having no plan or direction might just be viable. He described the importance of writing about nothing in particular- a found chess piece, a bit of string or maybe a hippo. Stumbling along, bumping into things along the way. The delightfully randomness of  life. It is in the in between moments that matter and sometimes illuminate. In a strange way this seems applicable to this practice of painting. However, realizing this has made the starts on several paintings seem thin and not at all juicy with life. So I repainted and started several over. 

Barn Roof

"Spring Rain" 48" x 96" #8296

I spent the first part of the week painting another painting from this one pictured here--This is a diptych-2- 48" x 48" panels that hang together. Another "Weave Painting". In a way it has been easy but it has also allowed me to see more clearly where and how the pattern and balance can be more refined. Shown here is a barn roof  I drive by on the way to Bolinas. I love this roof.

West Marin

"Madrone" 70" x 90" #8269

I drive by these water tanks all the time out here in West Marin. I finally took some pictures and it's amazing how similar they are to some of the recent "Weave" paintings I have been making. 

Nature has corroded and weathered these surfaces in much the same way as the layering of paint and washes that I use in my work. The formal grid lines of the construction of these barns and water tanks are beautiful contrasts to the out of control degradation that is occurring year after year from the natural elements.

Re Re Worked

Re Re painted today......

Oak and Bay

8300 "Oak and Bay" 70"x 63"

Finished  8300. Kept it more raw and direct. These colors are also more subdued for me but they actually feel richer than a lot of my other work. 

push

I drastically changed the paintings today. It was beginning to feel tiring-when I feel as though no part of the painting can't be worked on then the whole painting begins to look more cohesive. All parts are considered. Took me all week to really let go and risk. 

wednesday

#8300

#8157

#8283

Introduced these roundish shapes on #8300. Not sure  I like it. Worked awhile on this and it might have gotten worse. Can't really see it clearly yet. Moved on to the "Sand Shapes"-#8157 re do and #8283, the 36" square-tried to paint as loose and as bold as I could after feeling like the larger painting kind of stalled out--I think they are getting better. Lately, I have been using the paint very thin in washes and this soupy application is impossible to control which ends up being a good thing.

Lines

#8300

Went back to #8300 from last Wednesday. This time I started by drawing lines on top of the existing composition. Starting a secondary conversation--quiet but seems to take the eye around in contrast to the extreme vertical composition of the shapes. Soft Curves add some relief. Such a little thing, adding lines, but actually I have never done this on a painting in quite this way. Still surprised that something happens at all when I have no plan and sometimes not as much drive to show up at all. This painting is still getting better and it's been extremely easy so far. I hope that I can keep it from getting too precious. Then it will surely lose some of it's strength.

monday morning

#8165

#8283

Started back into the two small paintings-#8165 and #8283 from last Wednesday. Trying to paint every mark while being cognizant of the whole. Trying to stay as loose as possible. The last hour it went better. 

goopy painting

#8301
Overslept and got into the studio late. Started  on the 84" x 72" #8301, as my brushes were all still messy as I forgot to clean them yesterday. The painting is so large that it is hard to passively paint. Liking it better where it ended up today. The paint is thicker and goopy. It got all over the floor and me. 

over painting

#8157

"Sand Shapes" # 8157, 60 x 48, was painted several years  ago. I liked it at the time but it sat in Galleries in San Francisco and Santa Fe and now it is back in my studio again. I flipped it on it's side and decided to paint over it. It felt good to finally work over this painting. I like the start and am excited about where it could end up. Also started a 84" x 72 " canvas. I can barley reach to the top and I am tall. No idea where I am going ... just covering canvas at this point hoping something turns up.

Minimal Color

#8300

#8165 and #8283

This morning I started a new painting- #8300, 70" x 63". It went incredibly fast or at least to a point that I began to start liking it....often  I struggle much more to get this far. Trying not to think about if it is good or not so I can remain destructive and bold with it as I continue to refine it. 

Went back into 2 smaller paintings-#8165, 22 x 18 and #8283, 36 x 36- that were done or at least I thought they were...neither had sold and both have been sitting around for a long time. It felt good to go back into these and am sort of excited about the prospects for them both. The small one still has a ghost image of a flower that for some reason I had painted in the corner about 2 years ago.